Envisioning the Iran Election through the work of Marjane Satrapi’s Persepolis.
Related Posts
NYC Play: No Place Called Home – This isn’t Supposed to be a Love Story
In the fall of 2009, Intersections International led a delegation of 8 American artists from many different disciplines on a 3-week immersion trip though Jordan, Lebanon and Syria at part of the Iraqi Voices Amplification Project (IVAP). Our goal is to use the power of the arts to call attention to one of the most pressing and under-reported social justice issues of our time: the displacement of more than 4 million Iraqis as a result of the military intervention in Iraq. While on the trip, the delegation entered into conversations with hundreds of refugees at community centers and in their…
Tracing Islamic History Through Its Scripts – NYTimes.com
Tracing Islamic History Through Its Scripts – NYTimes.com. The items, on display through Feb. 27, form part of the Aga Khan’s collection of Islamic art from the 8th to the 18th centuries, and will find a more permanent home when the Aga Khan Museum opens in Toronto in 2013. The founders say it will be the first major educational and exhibition center in North America dedicated to Muslim arts and culture. Much of the writing displayed comes from Korans. Scribes faced the daunting task of precisely copying the Muslim holy book and in a way became early page designers, deciding…
Peter Dinklage Was Smart to Say No – NYTimes.com
Muslim actors (and others) take note of the quote below. We don’t need to be terrorists on television, or anywhere else. Peter Dinklage Was Smart to Say No – NYTimes.com. He sipped his coffee and pointed out that media portrayal is, in part, the fault of actors who are dwarves. “You can say no. You can not be the object of ridicule.”