Envisioning the Iran Election through the work of Marjane Satrapi’s Persepolis.
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NYC Event: Agora Gallery – Fahim Somani – Exhibition Announcement
Agora Gallery – Fahim Somani – Exhibition Announcement. Pakistani-American, Houston-based artist Fahim Somani creates expressionistic, calligraphy-inflected compositions which are not only exquisite formal experiments full of delightful painterly flourishes, but aesthetic bridges between two cultures. While drawing on the text of the Qur’an, the holy book of Islam, Somani incorporates elements that evoke Minimalism, Abstract Expressionism, and other currents in post-war American art. The artist achieves this marriage of visual cues from Islamic and American art with innate talent, producing powerful and enigmatic images full of brilliant brushstrokes and vibrant textures.
He Who Burns
My dear friend is putting on a dance performance in NY this weekend. It is titled “He Who Burns,” and plays with the idea put forward by Hallaj that Iblis was cast out of Heaven for being the truest lover of God. He refuse to bow to Adam not because he was disobedient, but because none is worthy of worship other than God. Check it out. He Who Burns
Holy Burkas, Batman! | BU Today
Just sat on a panel with this guy. He’s brilliant, and his work is great. Holy Burkas, Batman! | BU Today. Comics expert A. David Lewis (GRS’11), who is studying for a doctorate in religion and literature, sees a bigger, more surprising development than a bonanza for comic book collectors. Lewis sees the emergence of the Muslim superhero. For all their alien/underwater/superhuman evildoers, says Lewis, comics have on occasion borrowed villains from the real world—the Image cover updated one from World War II showing Captain America slugging Hitler. The year after 9/11, Marvel Comics introduced Dust, a Muslim “mutant” (superhuman)…