Art

Blurring of Cultures at Louvre’s Islamic Art Wing – NYTimes.com

Blurring of Cultures at Louvre's Islamic Art Wing – NYTimes.com. Other Arab bronzes with inscriptions in Arabic and Latin conjure memories of places where East and West met.  A ewer from Arab Spain in the shape of a peacock carries an Arabic signature identifying it as “the work of the Christian King’s slave.” Underneath, an inscription in Roman capitals proclaims “Opus Salomonis Erat” naming the artist, probably called Sulayman, the Arabic form of the biblical name.

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Art

The Louvre’s New Islamic Galleries Bring Riches to Light – NYTimes.com

The Louvre’s New Islamic Galleries Bring Riches to Light – NYTimes.com. Now the museum is again risking the public’s wrath as it introduces the most radical architectural intervention since the pyramid in 1989. Designed to house new galleries for Islamic art, it consists of ground- and lower-ground-level interior spaces topped by a golden, undulating roof that seems to float within the neo-Classical Visconti Courtyard in the middle of the Louvre’s south wing, right below the museum’s most popular galleries, where the Mona Lisa and Veronese’s “Wedding Feast of Cana” are hung.

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