Muhammad – No. 72 – Mascot Mashup by Ian Cavalier – Translating famous characters into 8-bit art

Guest Voices: A Muslim cartoonist on “Draw Muhammad Day” – On Faith at washingtonpost.com. What Norris failed to understand is that by creating events like “Draw Muhammad Day”, artists hurl rhetorical stones that go straight through their enemies and hit Muslims like me. Al Qaeda isn’t hurt by Draw Muhammad Day. Its entire PR campaign is built on incidents like these. Without the Molly Norrises and Jyllands Postens of the world, Al Qaeda would have to get a lot more creative with its recruitment strategies. Artists who caricature the Prophet inevitably claim, as Norris has done, that they never meant…

This installation will feature work by a wonderful artist I had the privilege of meeting last year, Azra Aksamija (http://www.azraaksamija.net/) — Penelope’s Labour — Weaving Words and Images Weavings from the collection of the Fondazione Giorgio Cini Collection shown alongside new woven works by: Azra Akšamija, Lara Baladi, Manuel Franquelo, Carlos Garaicoa, Grayson Perry and Marc Quinn. Exhibition by Fondazione Giorgio Cini and Factum Arte. Curated by Adam Lowe Tapestry is the great example of image and word transformed by the materiality of its medium. For centuries, it was valued above paintings, its precious gold, silver and silk thread combining…

Blurring of Cultures at Louvre's Islamic Art Wing – NYTimes.com. Other Arab bronzes with inscriptions in Arabic and Latin conjure memories of places where East and West met.  A ewer from Arab Spain in the shape of a peacock carries an Arabic signature identifying it as “the work of the Christian King’s slave.” Underneath, an inscription in Roman capitals proclaims “Opus Salomonis Erat” naming the artist, probably called Sulayman, the Arabic form of the biblical name.