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Review: Domestic Crusaders
I have to imagine that writing fiction about Muslim-Americans is a thankless task. People from outside the community are already pre-disposed to like it or hate it. Unless you’re Rizwan Manji, Aasif Mandvi, or Aziz Ansari, you can’t quite draw the crowds to be able to change minds. Of course, you also get heat from inside the community. People will invariably say “it doesn’t represent me,” “it’s not my experience.” These same people will simultaneously identify with Lady Chatterly’s Lover, and support Umrao Jaan Ada, but will not have empathy with Muslim-American characters because it is not exactly their experience.…
How to Meet Muslims: A (Cinematic) Primer | Culture | Religion Dispatches
How to Meet Muslims: A (Cinematic) Primer | Culture | Religion Dispatches. The next best thing to a living, breathing Muslim is an approximation of one. That is, the silver screen (had you said robots, I’d counter: Muslims will be the last people on Earth to come up with robots). Why not? Movies explore the lives and experiences of Muslims in a format that can be watched as easily at home as on the train (that’s what iPads are for).
The Ismaili: Video: The Islamic impact on American arts
The Ismaili: Video: The Islamic impact on American arts. Dr Hussein Rashid delivered a lecture titled Everyday Art: An Islamic Impact on American Art on 13 February 2011 at the Michael C. Carlos Museum of Emory University in Atlanta, Georgia. In the talk, Dr Rashid highlights Islamic influences on popular art in America — from architecture and popular media to poetry and writing — by the likes of Ralph Waldo Emerson, in his From Persian of Hafiz II, to Toni Morrison’s portrayal of Muslim characters in her novel Beloved. The lecture followed two exhibitions on Islamic calligraphy at the museum.