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In the fall of 2009, Intersections International led a delegation of 8 American artists from many different disciplines on a 3-week immersion trip though Jordan, Lebanon and Syria at part of the Iraqi Voices Amplification Project (IVAP). Our goal is to use the power of the arts to call attention to one of the most pressing and under-reported social justice issues of our time: the displacement of more than 4 million Iraqis as a result of the military intervention in Iraq. While on the trip, the delegation entered into conversations with hundreds of refugees at community centers and in their…
Metropolitan Museum’s Moroccan Courtyard Takes Shape – NYTimes.com
Metropolitan Museum’s Moroccan Courtyard Takes Shape – NYTimes.com. Almost 30 years later the museum was embarking on the most ambitious rethinking and rebuilding of its Islamic art galleries in its history, a $50 million endeavor. At the heart of those galleries, which will open in the fall after being closed six years, it dreamed of showcasing the defining feature of Moroccan and southern Spanish Islamic architecture: a medieval Maghrebi-Andalusian-style courtyard, which would function in much the same way such courtyards still do in the traditional houses and mosques of Marrakesh or Casablanca, as their physical and spiritual center.
Seven Stories, and Loads of Ideas, in Brooklyn – NYTimes.com
Seven Stories, and Loads of Ideas, in Brooklyn – NYTimes.com. Here a dozen ecological and technology entrepreneurs work in constant collaboration. Amanda Parkes, a co-founder of a biofuel start-up called Bodega Algae, also designs what she calls “parasitic energy costumes” that capture energy generated by the body in motion. So when a Parisian dance company commissioned costumes for a performance this winter, Ms. Parkes solicited the help of James Patten, an interactive designer, and Jessica Banks, a roboticist, who sit 15 feet away.