Important Biblical Resource

Blurring of Cultures at Louvre's Islamic Art Wing – NYTimes.com. Other Arab bronzes with inscriptions in Arabic and Latin conjure memories of places where East and West met.  A ewer from Arab Spain in the shape of a peacock carries an Arabic signature identifying it as “the work of the Christian King’s slave.” Underneath, an inscription in Roman capitals proclaims “Opus Salomonis Erat” naming the artist, probably called Sulayman, the Arabic form of the biblical name.

Metropolitan Museum’s Moroccan Courtyard Takes Shape – NYTimes.com. Almost 30 years later the museum was embarking on the most ambitious rethinking and rebuilding of its Islamic art galleries in its history, a $50 million endeavor. At the heart of those galleries, which will open in the fall after being closed six years, it dreamed of showcasing the defining feature of Moroccan and southern Spanish Islamic architecture: a medieval Maghrebi-Andalusian-style courtyard, which would function in much the same way such courtyards still do in the traditional houses and mosques of Marrakesh or Casablanca, as their physical and spiritual center.